baze.djunkiii Charts 10/2k24
01. Tristwch Y Fenywod - Tristwch Y Fenywod [Night School Records 096]
The absolutely mesmerizing debut album by Tristwch Y Fenywod turns out to be a serious candidate for being one of the, if not the, albums of the year 2k24 with its enchanted amalgamation of Welsh RitualFolk as well as subtle infusions of both Goth and echoes of echoes of Industrial influences. Major tunes on here are the ethereal "Blodwyn Gwyrrd", the dreamy and solem "Y Transnewidiad" as well as the unsettling Industrial Folk nightmare vision that is "Gelain Gors". Absolutely essential.
02. Hellfish - Guns Jesus Trucks And Spiderman [Deathchant]
It is... a madness. Gabba Trap for daytime radio abuse, Cut-Up Breakcore, Pop Hardcore and sample collage attacks, TV theme rip-offs and straight forward Ravecore insanity. The most tongue-in-cheek release on the mighty Deathchant label so far and a hard beat driven fuckfest for peaktime Bangface crowds with tunes like "Sushi Rollin" and "We Eat Dogs" being our personal favorites for a reason.
03. Lundin Oil - Exploit Divisions [Northern Electronics 104]
Anthony Linell revives his Lundin Oil alias for a full length album release eight years after its initial longplayer put out on the circuit in 2k16, returning with a highly recommended set of glacial Ambient, subdued and droning mechanical rhythm signatures for icey Electronica sets as well as cold Rhythm Industrial pulses backed by outerworldly sci-fi atmospheres and heavy Noise eruptions for those who know. Excellent.
04. Howie Lee - At The Drolma Wesel-Ling Monastery [Mais Um 060]
Even though rare there are still albums out there which provide a totally new, unexpected and previously unthought of angle on electronic music and this is one of them. On "At The Drolma Wesel-Ling Monastery" Howie Lee pairs the sampled sound of devotional chants of buddhist monks and Chinese classical music with echoes of post-rave atmospheres, various forms of Bassmusic and clearly identifiable influences of Juke x Footwork / 160 to create a highly unique album which could mark the beginning of a new chapter in the Global Bass movement or, in a worst case scenario, vanish into relative obscurity due to a lack of connatural releases out there.
05. -
06. -
07. -
08. -
09. -
10. -
The absolutely mesmerizing debut album by Tristwch Y Fenywod turns out to be a serious candidate for being one of the, if not the, albums of the year 2k24 with its enchanted amalgamation of Welsh RitualFolk as well as subtle infusions of both Goth and echoes of echoes of Industrial influences. Major tunes on here are the ethereal "Blodwyn Gwyrrd", the dreamy and solem "Y Transnewidiad" as well as the unsettling Industrial Folk nightmare vision that is "Gelain Gors". Absolutely essential.
02. Hellfish - Guns Jesus Trucks And Spiderman [Deathchant]
It is... a madness. Gabba Trap for daytime radio abuse, Cut-Up Breakcore, Pop Hardcore and sample collage attacks, TV theme rip-offs and straight forward Ravecore insanity. The most tongue-in-cheek release on the mighty Deathchant label so far and a hard beat driven fuckfest for peaktime Bangface crowds with tunes like "Sushi Rollin" and "We Eat Dogs" being our personal favorites for a reason.
03. Lundin Oil - Exploit Divisions [Northern Electronics 104]
Anthony Linell revives his Lundin Oil alias for a full length album release eight years after its initial longplayer put out on the circuit in 2k16, returning with a highly recommended set of glacial Ambient, subdued and droning mechanical rhythm signatures for icey Electronica sets as well as cold Rhythm Industrial pulses backed by outerworldly sci-fi atmospheres and heavy Noise eruptions for those who know. Excellent.
04. Howie Lee - At The Drolma Wesel-Ling Monastery [Mais Um 060]
Even though rare there are still albums out there which provide a totally new, unexpected and previously unthought of angle on electronic music and this is one of them. On "At The Drolma Wesel-Ling Monastery" Howie Lee pairs the sampled sound of devotional chants of buddhist monks and Chinese classical music with echoes of post-rave atmospheres, various forms of Bassmusic and clearly identifiable influences of Juke x Footwork / 160 to create a highly unique album which could mark the beginning of a new chapter in the Global Bass movement or, in a worst case scenario, vanish into relative obscurity due to a lack of connatural releases out there.
05. -
06. -
07. -
08. -
09. -
10. -
posted by baze.djunkiii at 8:05 PM
0 Comments:
Post a Comment
<< Home